Production Lab

Solitaire Tournament Broadcast Setup

Solitaire broadcasts need crisp visuals and calm storytelling. Here is how to build a compact setup that scales from local events to global finals without breaking the budget.

Production Overlays Redundancy

Core Hardware Layout

A two machine setup covers most events: one for gameplay capture and another for production mixing. Add a backup laptop ready to take over scenes if a crash occurs.

Device Role
Mac Studio (M3 Max) OBS production, graphics, encoding
MacBook Pro (M2) Gameplay capture, replay buffer
iPad Pro Telestration, backup scoreboard

Camera and Audio Setup

Solitaire is detail heavy. Use overhead camera mounts for hands, a wide shot for commentators, and LED lighting to eliminate glare on card surfaces.

  • Two mirrorless cameras with 30mm lenses for player close ups and commentator desk.
  • Elgato Close Up or Insta360 Link for overhead table shot.
  • Dual wireless lavs feeding into a Rodecaster Duo for noise control.

Overlay Package

Build overlays that highlight timer, moves remaining, and player bios. Use HTML widgets or apps like Singular Live to keep graphics dynamic.

Essential elements

  • Lower third with player name, region, and record.
  • Event logo plus sponsor ribbon.
  • Timer widget synced to official match clock.

Advanced additions

Add multiview showing foundation stacks, or integrate stats feeds from companion apps for real time context.

Crew Roles and Run of Show

Even small broadcasts benefit from clear roles. Assign producer, technical director, caster, analyst, and chat moderator. Document a run of show with scene changes and sponsor reads.

Redundancy Planning

Internet hiccups happen. Use bonded connections combining Ethernet and 5G hotspots. Keep a backup graphics laptop ready and record everything locally for highlight reels.

Rehearse failover: if the main encoder drops, the backup machine should go live within 30 seconds. Practice the handoff so talent stays calm.

Post Production Workflow

Clip top plays within 24 hours, publish recap blogs, and send sponsor reports. Label raw footage with ISO timestamps and deck IDs for future analysis.